Tag other_languages
I had to interrupt and stop this conversation Your voice across the line gives me a strange sensation I’d like to talk when I can show you my affection (The Nerves – Hanging on the Telephone) “Sandy, when’s the last time you ever had your pussy eaten?” Anthony Spinelli’s 1976 effort “Night Caller” sur... mehr auf eskalierende-traeume.de
New York City possesses quite an interesting facial layout in Roberta Findlay’s cinematic universe – cheeks blooming with the brightest red excitation can muster up, planted right between them a pallid nose frozen stiff by sorrow and social iciness and throning above this dichotomy a pair of eyes filled with the marvel of discovery, exp... mehr auf eskalierende-traeume.de
With advertising making it appear as something of a wild crossbreed between Friedkin classic “The Exorcist” and “Her Name Was Lisa” (Roger Watkins, 1979), William Hellfire’s “Upsidedown Cross” sparks some rather diverse expectations and ultimately subverts them all. Opening with a nearly twenty minute long ... mehr auf eskalierende-traeume.de
Life is like a B-picture script. It’s that corny. If I had my life story offered to me to film, I’d turn it down. (Kirk Douglas) Dennis Vehlen pulls down the blinds allowing the sun to enter his room at their own discretion and immediately their pitch black fabric transforms into a solely focussed projection […]... mehr auf eskalierende-traeume.de
Our films are live Disney movies, if we hold them out of circulation for 5 to 6 years, they’re PINOCCHIO all over again – playing to a brand-new audience. The number of people interested in porno is probably fixed in relation to the population. This is literature of a kind – I don’t know how […]... mehr auf eskalierende-traeume.de
You know that’s incest? That’s why its so hot! (Siblings Sherry and Junior McBride in everyday conversation) There’s something remarkable about hot, steamy sex, isn’t it? In Kirdy Stevens’ “Taboo II” it transcends the more than sufficient plane of carnal gratification on and off the silver screen, evolving ... mehr auf eskalierende-traeume.de
“Buddies” – the cinematic swan song of noted gay pornographer Arthur J. Bressan Jr. – is a highly unusual film, less as a result of the obvious notion evoked by a small scale and utterly devoid of explicit sex chamber piece between just two characters of importance, more because of its striking insistence to structure [̷... mehr auf eskalierende-traeume.de
Just give us a little information, this won’t take long. Of course. The woman’s age? Twenty-six years old. Occupation? Just put down … ‘entertainer’. Becoming reputable again is an easy thing to do … just die. And maybe you will end up like poor titular Lisa (Samantha Fox) in the opening montage of Roger Watkins&... mehr auf eskalierende-traeume.de
Walter E. Sear in “Lurkers” (Roberta Findlay, 1988) To the eternal love of Walter E. Sear and Roberta Findlay Between the the 27th and 29th of April 2020 the footprint Walter E. Sear left in the world of music, filmmaking but more than that human interaction lingers on especially dominant before gradually retreating again to […]... mehr auf eskalierende-traeume.de
So if you meet me Have some courtesy Have some sympathy, and some taste Use all your well-learned politesse Or I’ll lay your soul to waste, mm yeah (The Rolling Stones – Sympathy for the Devil) A Faustian tale about a man who unwittingly exchanges his soul for a peculiar ointment specially mixed up to […]... mehr auf eskalierende-traeume.de
„I’d been in love with motion picture-making for a long time,“ Boyette recalls. „When television came in, suddenly there was a big market for films. I thought, ‚This is the thing to do. You can make some schlock and get by with it at this early stage.‘ Not that you purposely go out to make […]... mehr auf eskalierende-traeume.de
Is this the real life? Is this just fantasy? Caught in a landslide, no escape from reality (Queen – Bohemian Rhapsody) Among the oddities that are Roberta Findlay’s bizarrely jewish Golden Age comedies “Fantasex” is perhaps the most outré offering, for it discards her by then greatly accostumed musical narratives in favor of... mehr auf eskalierende-traeume.de
I’ll find a place somewhere in the corner I’m gonna waste the rest of my days Just watching patiently from the window Just waiting, seasons change BRIAN ENO – I’ll Come Running Just keep on like I do and pay no attention. You’ll find that people always will complain about the atmosphere, either too hot […]... mehr auf eskalierende-traeume.de
Two highly distinct approaches become discernible when taking a closer look at Roberta Findlay’s post-porn career in mainstream filmmaking. The, be they gritty or be they tender in nature, highly personal stories told in the quite straight “Tenement” (1985) and “Lurkers” (1988) as well as the madcap insanity prevelant ... mehr auf eskalierende-traeume.de
Deep in the heart of a lonely city I wandered sad and all alone Then in the heart of a lonely city I saw the girl that I want for my own (John Leyton – Lonely City) “Mascara”, commonly attributed to fellow pornographer and frequent collaborator Henri Pachard alone, is in fact one of the […]... mehr auf eskalierende-traeume.de
When I get to the bottom I go back to the top of the slide And I stop and I turn and I go for a ride And I get to the bottom and I see you again, yeah, yeah (The Beatles – Helter Skelter) Amidst this little series on Roberta Findlay’s cinema “Snuff” is […]... mehr auf eskalierende-traeume.de
“La photographie, c’est la vérité et la cinéma, c’est vingt-quatre fois la vérité par seconde.” – in a nutshell: Cinema is truth at 24 frames a second – is an often quoted wise saying by French cinema stylite Jean-Luc Godard. Well, when speaking about Roberta Findlay’s cinema though his German counterpart R... mehr auf eskalierende-traeume.de
You’re a kid Casanova, you’re no Joseph It’s a labor of love fucking yourself to death Orgasm addict, you’re an orgasm addict (Buzzcocks – Orgasm Addict) Just paddling along an imaginary current of thought – not necessarily the first thing that springs to mind when pondering about pornographic cinema. Thought ... mehr auf eskalierende-traeume.de
Well, I saw a man walking on the water, walkin’ Coming right at me from the other side Calling out my name And, “Do not be afraid, now!” Feet begin to run, run, run Pounding in my brain (Richard Hell & the Voidoids – Walking on the Water) We were already expecting her. Seated on […]... mehr auf eskalierende-traeume.de
“Portraits of Andrea Palmer”, the first feature film for both and directed in conjunction by a certain “C. Huston” and film preservationist collective Vinegar Syndrome’s Joe Rubin (billed under his film board nom de guerre “J[ohn]. Lyons”), is in many ways an unusual venture – when measured against it... mehr auf eskalierende-traeume.de
Have you ever pondered about the question of how a film centered around authentic, thus outwardly far more equable renditions of intercourse can manage to tell encounter from encounter, to dinstinguish the metaphysical weight being thrown around so freely? Anthony Spinelli’s “The First Time”, the prolific director’s final of... mehr auf eskalierende-traeume.de
Iron trees smother the air But withering they stand and stare Trough eyes that neither know nor care Where the grass is gone (David McWilliams – Days of Pearly Spencer) Being close up to your characters’ lifes, social issues tormenting them and your viewers alike, or short life in general has always been deemed a […]... mehr auf eskalierende-traeume.de
In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall. Some speak of the future My love, she speaks softly She knows there’s no success like failure And that failure’s no success at all. (Bob Dylan – Love Minus Zero) There is a certain crudeness […]... mehr auf eskalierende-traeume.de
